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Collected by the Federal Writers Project, Works Progress Administration
Name of Interviewer
I'm gettin' old and feeble now and cannot walk no more The above lines, had they been composed today, might well have been written with reference to "Uncle" Henry Turner, ninety-three years of age, of Turner, Arkansas, in Phillips County, and among the very few remaining ex-slaves, especially of those who were old enough at the time of their emancipation to have now a clear recollection of conditions, customs, events, and life during those days long past immediately preceding and following the Civil War. Uncle Henry's eyes have now grown dim and he totters slightly as supported by his cane, he slowly shuffles along the path over a short distance between the clean, white-washed cabin where he lives with a daughter and the small, combination store and post office, on the porch of which he is accustomed to sit in an old cane-bottomed chair for a few hours each day and the white folks in passing stop to speak a few words and to buy for him candy, cold drinks, and tobacco. Though "Uncle" Henry is approaching the century mark in age, his mind is remarkably clear and his recollection is unusually keen. He was born a slave in northern Mississippi near the small towns of Red Banks and Byhalia, was the property of his owner, Edmond Turner, and was brought to Phillips County by "his white folks" some months before the war. Turner, who owned some fifty other slaves besides Henry, settled with his family on a large acreage of land that he had purchased about fifteen miles west of Helena near Trenton. Both Turner and his wife died soon after taking up residence in Arkansas leaving their estate to their two sons, Bart and Nat, who were by that time grown young men, and being very capable and industrious soon developed their property into one of the most valuable plantations in the County. As "Uncle" Henry recalls, the Turner place was, it might be said, a world within itself, in the confines of which was produced practically everything essential in the life of its inhabitants and the proper and successful conduct of its operations. Large herds of cattle, hogs, sheep, and goats provided a bountiful supply of both fresh and salt meats and fats. Cotton and wool was carded, spun and woven into cloth for clothes, fast colored dyes were made by boiling different kinds of roots and barks, various colored berries were also used for this purpose. Medicine was prepared from roots, herbs, flowers, and leaves. Stake and rider fences enclosed the fields and pastures and while most of the houses, barns and cribs were constructed of logs, some lumber was manufactured in crude sawmills in which was used what was known as a "slash saw". This was something like the crosscut saws of today and was operated by a crank that gave the saw an alternating up and down motion. Wheat was ground into flour and corn into meal in mills with stone burrs similar to those used in the rural districts today, and power for this operation was obtained through the use of a treadmill that was given its motion by horses or mules walking on an inclined, endless belt constructed of heavy wooden slats. Candles for lighting purposes were made of animal fats combined with beeswax. Plows, harrows and cultivating implements were made on the plantation by those Negroes who had been trained in carpentry and blacksmithing. Plows for breaking the land were sometimes constructed with a metal point and a wooden moldboard and harrows made of heavy timbers with large, sharpened wooden pegs for teeth. Hats of straw and corn shucks were woven by hand. Small, crude cotton gins were powered by horses or mules hitched to a beam fastened to an upright shaft around which they traveled in a circle and to which was attached large cogwheels that multiplied the animal's power enormously and transmitted it by means of a belt to the separating machinery where the lint was torn from the seed. No metal ties were available during this period and ropes of cotton were used to bind the bales of lint. About three bales was the daily capacity of a horse-powered plantation gin. It was often difficult to obtain the services of a competent doctor and except in cases of serious illness home remedies were administered. Churches were established in different communities throughout the County and the Negro slaves were allowed the privilege of attending the services, certain pews being set apart from them, and the same minister that attended the spiritual needs of the master and his family rendered like assistance to his slaves. No undertaking establishments existed here at this time and on the death of a person burial was made in crude caskets built of rough cypress planks unless the deceased was a member of a family financially able to afford the expensive metal caskets that were available no nearer than Memphis. "Uncle" Henry Turner recalls the death of Dan Wilborn's little six-year-old boy, Abby, who was accidentally killed when crushed by a heavy gate on which he was playing, and his burial in what "Uncle" Henry described as a casket made of the same material as an old-fashioned door knob; and while I have no other authority than this on the subject, it is possible that in that day caskets were made of some vitrified substance, perhaps clay, and resembling the present day tile. The planters and slaveowners of this period obtained the greater share of their recreation in attendance at political rallies, horse races, and cock fights. Jobe Dean and Gus Abington who came to Trenton from their home near La Grange, Tennessee were responsible for the popularity of these sports in Phillips County and it was they who promoted the most spectacular of these sporting events and in which large sums of money were wagered on the horses and the game cocks. It is said that Marve Carruth once owned an Irish Grey Cock on which he bet and won more than five thousand dollars one afternoon at Trenton. No Negro slave was allowed to go beyond the confines of his owner's plantation without written permission. This was described by "Uncle" Henry Turner as a "pass"; and on this "pass" was written the name of the Negro, the place he was permitted to visit, and the time beyond which he must not fail to return. It seems that numbers of men were employed by the County or perhaps by the slaveowners themselves whose duty it was to patrol the community and be on constant watch for such Negroes who attempted to escape their bondage or overstayed the time limit noted on their "pass". Such men were known then as "Paddy Rolls" by the Negroes and in the Southern states are still referred to by this name. Punishment was often administered by them, and the very mention of the name was sufficient to cause stark terror and fear in the hearts of fugitive slaves. At some time during that period when slavery was a legal institution in this country, the following verse was composed by some unknown author and set to a tune that some of the older darkies can yet sing: Run nigger run, the Paddy Roll will get you Both Bart Turner and his brother Nat enlisted in the services of the Confederacy. Nat Turner was a member of the First Arkansas volunteers, a regiment organized at Helena and of which Patrick R. Cleburne was colonel. Dick Berry and Hilt Wiseman, friends and neighbors of the Turners, also volunteered and enlisted in Cleburne's command. These three stalwart young men from Phillips County followed Cleburne and fought under his battle flag on those bloody fields at Shiloh, Murfreesboro, Ringgold gap, and Atlanta; and they were with him that day in November in front of the old gin house at Franklin as the regiment formed for another and what was to be their last charge. The dead lay in heaps in front of them and almost filled the ditch around the breastworks, but the command though terribly cut to pieces was forming as coolly as if on dress parade. Above them floated a peculiar flag, a field of deep blue on which was a crescent moon and stars. It was Claiborne's battle flag and well the enemy knew it; they had seen it so often before. "I tip my hat to that flag" said the Federal General Sherman years after the war. "Whenever my men saw it they knew it meant fight." As the regiment rushed on the Federal breastworks a gray clad figure on a chestnut horse rode across the front of the moving column and toward the enemy's guns. The horse went down within fifty yards of the breastworks. The rider arose, waved his sword, and led his men on foot to the very ramparts. Then he staggered and fell, pierced with a dozen balls. It was Cleburne, the peerless field-marshal of Confederate brigade commanders. The Southern cause suffered a crushing defeat at Franklin and the casualty list recorded the names of Nat Turner, Dick Berry, and Hilt Wiseman, who like their beloved commander had given their life for their country. There is an inscription on the stone base of the magnificent bronze statue of General N. B. Forrest astride his war horse in Forrest Park in Memphis that could well be placed above the graves of Cleburne, Turner, Berry, and Wiseman, those brave, heroic soldiers from Phillips County. The inscription in verse is as follows: Those hoof beats die not on fame's crimson sod This information given by "Uncle" Henry Turner; Place of residence Turner, Phillips County, Arkansas; Occupation - plantation hand; Age - 93.
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